Beginners (2010)
Dir. Mike MillsYou point, I’ll drive.
(Source: nicolaswindingrefns, via grannyhall)
Beginners (2010)
Dir. Mike MillsYou point, I’ll drive.
(Source: nicolaswindingrefns, via grannyhall)
What do you love about music?
To begin with, everything.
(Source: johnkrasinski, via cinemastatic)
(Source: itsou, via jasonwolfe)
Baraka (Ron Fricke - 1992)
(Source: mabellonghetti)
“My part of the work is to make the film. Your part is to find something in the film, or perhaps not. For me it’s always important to hear viewers’ interpretations. They turn out to be very different to my intentions. I don’t hide my intentions. I speak about them - but not about my interpretations.”
Krzysztof Kieślowski (June 27, 1941 — March 13, 1996)
(Source: neonhimmel, via howtocatchamonster)
ckck:
A selection from William Eggleston’s Leica and Canon camera collection.
…
Play me something from ‘Inside Llewyn Davis’.
(Source: nicolaswindingrefns, via cinemastatic)
(via buttwyatt)
Good day, gentlemen. This is a pre-recorded briefing made prior to your departure and which, for security reasons of the highest importance, has been known on board during the mission only by your H-A-L 9000 computer. Now that you are in Jupiter space and the entire crew is revived, it can be told to you. Eighteen months ago, the first evidence of intelligent life off the Earth was discovered. It was buried forty feet below the lunar surface, near the crater Tycho. Except for a single, very powerful radio emission aimed at Jupiter, the four million-year-old black monolith has remained completely inert, its origin and purpose still a total mystery.
(Source: jamesvega, via grannyhall)
A lot of people enjoy being dead. But they are not dead, really. They’re just backing away from life. Reach out. Take a chance. Get hurt even. But play as well as you can. Go team, go! Give me an L. Give me an I. Give me a V. Give me an E. L-I-V-E. LIVE! Otherwise, you got nothing to talk about in the locker room.
(Source: deadseymour, via mabellonghetti)
“The worse the script is, the more money you’re offered. Show me a bad script, and I will show you a big payday. Conversely, show me a really great script and forget it. You’re lucky if you don’t have to pay for it.” - Al Pacino
(via mabellonghetti)